DANCE IS TO PLAY AN INSTRUMENT THAT IS BODY
your body for dancing
He would not come to the idea of an instrumentalist, pianist
or otherwise, to play without knowing or without adjusting his instrument.
However, a large number of people approach Argentine tango and dances
as a couple neglecting body consciousness, without having settled
The result is bad postures, inelegant, sometimes caricatural, always
compensated by force.
Throughout classes and practices these people perfect bad habits
at the risk of damaging their joints.
All the dancers
in pairs, beginners or advanced should prepare their bodies to perform
more elegantly and easily the attitudes and choreographies specific
to the different
to develop the ease of the body
Manager, speaker, candidate for a job or exam, theater or film actor,
sighing for a marriage proposal, everyone is brought to the audience
or audience one day. The precision of the gesture, the fluidity
of the movements, the good physical behavior as well as a controlled
breathing express an insurance which represents a differentiating
asset in a professional and private context.
ACCESSIBLE TO ALL
For the same rhythmic movement, each
one, according to his personal experience, finds the depth of sensation
that suits him.
rhythmic movements executed with precision can gradually find address
and freedom of movement.
They release the body, soften the muscles gently, improve coordination,
balance and synchronization.
They allow to acquire a bodily ease and consequently a natural elegance.
They rediscover new bodily sensations and the pleasure of expressing
emotions through movement.
These rhythmic movements make it possible to make the link between
the movements of the body, the music and the emotion
REDISCOVER THE FLEXIBILLITY
OF YOUR BODY
Moving in rhythm is an
activity that men have always practiced in a more or less elaborate
In the current context of hyper
normalization, the individual feels cut off from his physical and
Yet the need for movement is always present.
The clumsiness or gene that some
people sometimes show in their movements is often the consequence
of an educational and social system that restricts the body and
sometimes the mind.
The rhythm and the movement,
means of discovery of the body, positively transform the psychological
and physiological states of the individual.
The emotion is created by the gesture as much as expressed by him.
To perceive the movement through
an emotion and conversely the effect of the emotion on the amplitude
of the movement allows in a trilogy "heart, body, head"
to rediscover his body by freeing the spirit and to go towards a
personal fullness .